Chicano Art and Beyond: John Valadez and the Effects of Montage

Author(s)Canejo, Cynthia Marie
Date Accessioned2017-02-26T18:55:05Z
Date Available2017-02-26T18:55:05Z
Publication Date2016-12-31
DescriptionI am grateful for the generous collaboration of the noted artist, John Valadez, and the archives of the UCLA Chicano Studies Research Center. Special thanks to George Dexter, Jr., for editorial support, and to the anonymous readers, for thought provoking comments.en_US
AbstractThe work of John Valadez, a major figure in the Chicano art movement, eludes traditional classification. Enhanced by his social-political concerns, his work extends from local (Chicano and Californian) to international. I argue that viewing his work simply as Chicano art is too limiting. While his early works generated strong messages about the challenges facing Mexican-Americans following the Civil Rights Movement in the 1960s, his more recent work, with its emphasis on montage, extends to address ideas of global importance. In creating works that can be understood universally, Valadez making us aware of our shared pleasures and anxieties.en_US
SponsorUniversity Research Council Intramural Faculty Fellowship, UNCA; Belk Distinguished Professor, UNCA; UNCA Department of Art and Art History Travel Funds.en_US
ISSN1536-1837
URLhttp://udspace.udel.edu/handle/19716/20794
Languageen_USen_US
PublisherLatin American Studies Program, University of Delaware, Newark, DEen_US
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
KeywordsChicano Arten_US
KeywordsJohn Valadezen_US
KeywordsLatin Americaen_US
KeywordsCaliforniaen_US
KeywordsMontageen_US
KeywordsAllegoryen_US
TitleChicano Art and Beyond: John Valadez and the Effects of Montageen_US
TypeArticleen_US
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