The Bryn Athyn Cathedral project: the art and craft of the ecclesiastical path

Author(s)Kaplan, Shelley F.
Date Accessioned2020-05-27T11:49:19Z
Date Available2020-05-27T11:49:19Z
Publication Date1990
AbstractThe Gothic styling, handcraftsmanship, and guild-like labor practices employed in the Bryn Athyn cathedral building program (begun 1913) by patron Raymond Pitcairn (1885-1966) have prompted scholars to label the project a manifestation of the American Arts and Crafts movement; this thesis re-examines that evaluation. By outlining the "ecclesiastical path" taken by spiritually-inspired craft advocates such as Ralph Adams Cram, the architect initially commissioned for the Bryn Athyn cathedral, and contrasting the ideology and practice of Cram with Pitcairn, this thesis places Bryn Athyn craft in context. Specifically, I examine the Bryn Athyn stained-glass window production as a case study. ☐ The Bryn Athyn project in practice embodied many Arts and Crafts ideas more completely than did self-styled movement adherents. However, Pitcairn's ideals--which derived from his medievalist aesthetic interests, community values, and Swedenborgian beliefs--resembled the English High Church origins of the movement rather than mainstream American manifestations wherein craft was elevated to secularized salvation.en_US
AdvisorRobertson, Cheryl A.
DegreeM.A.
ProgramUniversity of Delaware, Winterthur Program in Early American Culture
Unique Identifier1155502761
URLhttp://udspace.udel.edu/handle/19716/27176
PublisherUniversity of Delawareen_US
URIhttps://search.proquest.com/docview/303889130?accountid=10457
dc.subject.lcshPitcairn, Raymond, 1885-1966
dc.subject.lcshBryn Athyn Cathedral (Bryn Athyn, Pa.) -- History
dc.subject.lcshGlass painting and staining, Gothic
dc.subject.lcshChurch buildings -- Pennsylvania -- Bryn Athyn
TitleThe Bryn Athyn Cathedral project: the art and craft of the ecclesiastical pathen_US
TypeThesisen_US
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