Leks and Popozudas: How Hip-Hop Influences Black Subjectivities at the Carioca Funk

Author(s)Santos Vieira de Jesús, Diego
Date Accessioned2016-09-27T02:07:01Z
Date Available2016-09-27T02:07:01Z
Publication Date2013-12-31
AbstractThe main purpose is to examine how the changing patterns of American hip-hop culture influence the carioca funk. I argue that the international influence of the changing patterns of hip-hop culture in America affected the engagement of bodies, dance, clothing and music in the representation of the “funkeiro”. It did so by over-sexualizing bodies and dances, valuing specific goods and behaviors in the light of its strengthened focus in consumption and incorporating more technology in the production of songs. However, carioca funk culture did not simply reproduce those elements: it preserved elements of Brazilian popular culture in the desire constructed on the black Latin masculine and feminine bodies and the use of elements of samba, pagode and other rhythms of Brazilian culture in dance and music.en_US
ISSN1536-1837
URLhttp://udspace.udel.edu/handle/19716/19726
Languageen_USen_US
PublisherLatin American Studies Program, University of Delaware, Newark, DEen_US
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
KeywordsCarioca funken_US
KeywordsHip-hopen_US
KeywordsBrazilian cultureen_US
KeywordsBrazilian musicen_US
TitleLeks and Popozudas: How Hip-Hop Influences Black Subjectivities at the Carioca Funken_US
TypeArticleen_US
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